Something extraordinary to carry with You while travelling........
The colours of the Taj
Taj Mahal changes its moods with the seasons and the different times of the day. At dawn, the marble has a delicate bloom in shell pink, by noon it glitters majestically white, turning to a soft pearly grey at dusk. On full-moon away against the star-spangled sky. Monsoon clouds give it a moody blue tint and it appears and disappears like a mirage in the drifting mists of winter.
It can be solid and earthbound, fragile and ethereal, white, amber, grey and gold. The many faces of Taj Mahal display the seductive power of architecture at its best.
The Main Building
The tomb stands on a marble plinth six-metres high. The four minarets at each corner beautifully frame the tomb. The plinth stands on a high standstone platform and at the far ends of this base are two identical sandstone structures, a mosque to the west and its jawab, or echo, to the east. This was the mehman khana or guesthouse. Thus, the main building is not just of great size but beautifully proportioned and balanced in design.
The octagonal central hall has four smaller octagonal halls round it and is decorated with magnificent inlay and dado panels done in high relief. The bulbous, perfectly-balanced double dome rises to a height of 45 metres and the four chhattris flanking and balancing the high drum give it added height. Taj Mahal rises 75 metres high and is, in fact, taller than the Qutb Minar.
An ornate marble screen, carved so fine that it almost has the texture of lace surrounds the cenotaphs in the central hall. However, as was the tradition during Mughal times, the actual graves lie in an underground crypt directly below the cenotaphs.
Wow!!! Kuldip
The bejewelled Palace
Shahjahan's two biggest passions were architecture and jewellery and both are reflected in the Taj Mahal. He visualised a building in marble and then had it decorated with semi-precious stones inlaid with the delicacy of handcrafted jewellery. Marble in purest white was brought from Makrana in Rajasthan, yellow marble and rockspar from the banks of the Narmada river, lack marble from Charkoh and red sandstone from Sikri. For the intricate pietra dura the finest gems were collected - crystal and jade from China, lapis lazuli and sapphires from Sri Lanka, jasper from Punja, carnelian from Baghdad and turquoise from Tibet.
Yemen sent agates, the corals came from Arabia, the garnets from Bundelkhand, onyx and amethyst from Persia. Mumtaz Mahal's final resting-place was ornamented like a queen's jewel-box.
